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    OR THE COURSE OF A SOUL; AND OTHER POEMS
    BY WALTER R. CASSELS



    EIDOLON,
    OR THE COURSE OF A SOUL;
    AND OTHER POEMS,

    BY WALTER R. CASSELS


    LONDON
    WILLIAM PICKERING
    1850


    TO
    CHARLES PEEL,

    THIS VOLUME IS INSCRIBED BY
    HIS FRIEND,

    W. R. CASSELS.




    CONTENTS.


    Page
    Eidolon 1
    Alcesté 93
    Pygmalion 136

    MISCELLANEOUS POEMS.
    Ode to Fancy 159
    What is a sigh? 165
    Ione 167
    Reality 169
    Retrospection 172
    The Stormy Petrel 181
    To ---- 183
    The Mermaid 185
    The Spirit of the Air 190
    Why do I love thee? 195
    Lady Annabel 196
    To Jenny Lind 201
    The Gold Seekers 204
    To Woman 209
    The Poet 212
    Evening 224
    Life 226
    Sorrow 229

    SONNETS.
    I. Written at Ulleswater 233
    II. "There is a spell by which the panting soul" 234
    III. "We wander on through life as pilgrims do" 235
    IV. "Sweet spirits of the Beautiful! where'er ye dwell," 236
    V. "We are ambitious overmuch in life," 237
    VI. "Mountains! and huge hills! wrap your mighty forms" 238
    VII. To Ella 239
    VIII. "I traverse oft in thought the battle-plain" 240




    INTRODUCTION TO EIDOLON.


    Hazlitt says, one cannot "make an allegory go on all fours," it must
    to a certain degree be obscure and shadowy, like the images which the
    traveller in the desert sees mirrored on the heavens, wherein he can
    trace but a dreamy resemblance to the reality beneath. It therefore
    seems to me advisable to give a solution of the "Eidolon," the symbol,
    which follows, that the purpose of the poem may at once be evident.

    In "Eidolon" I have attempted to symbol the course of a Poet's mind
    from a state wherein thought is disordered, barren and uncultivated,
    to that which is ordered and swayed by the true Spirit of Poetry, and
    holds its perfect creed.

    I have therefore laid the scene on a desert island, whence, as from
    the isolation of his own mind, he reflects upon the concerns of life.
    At first he is a poet only by birthright '_Poeta nascitur_.' He has
    the poet's inherent love for the Beautiful, his keen susceptibility of
    all that is lovely in outward nature, but these are only the blossoms
    which have fallen upon him from the Tree of Life, the fruit is yet
    untasted. He has looked at the evil of the world alone, and seeing how
    much "the time is out of joint" has become misanthropic, and turns his
    back alike on the evil and the good.

    Then comes Night, the stillness of the soul, with starlight breaking
    through the gloom. He gazes on other worlds, and pictures there the
    perfection he sighs

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